Never one to stand still, Manuel Kornisiuk aka MANÚ has journeyed from Argentina to the world, building a career defined by momentum, curiosity and intention.
MANÚ—full name Manuel Kornisiuk—is clear about one thing: this is a chapter, not a destination. From Argentina to Australia and now moving through California’s ever-shifting creative landscape, Manuel Kornisiuk has built a career driven by curiosity and purpose. His latest single, “Into You,” signals a new phase in his musical journey, while his growing presence across global platforms, including appearances on “RuPaul’s Drag Race,” reflects an artist unafraid to explore new terrain.
Beyond the studio, MANÚ has been spending time in California, navigating Hollywood and expanding his creative reach across music, fashion and performance. In this interview with DAMAN, he reflects on how environment shapes creativity, why discipline matters as much as inspiration and how each chapter of his journey naturally feeds into the next.
DAMAN: Many people were introduced to you through modeling, yet music feels especially personal. When did it move from something you loved into something you felt compelled to pursue seriously?
Manuel Kornisiuk: Modeling came first and gave me structure and direction at a time when I was still figuring myself out. It taught me discipline and how to be present and have fun. Music lived more quietly in the background. The shift happened when I realized music was where I went to understand myself, not just express myself. Modeling helped me grow outwardly, while music pulled me inward. Eventually, it felt natural to give both the same level of commitment.
DA: When someone listens to a MANÚ track for the first time, what do you hope they feel or take away from it?
MK: I hope it feels honest and empowering. Through modeling, I’ve learned how powerful subtle emotion can be and I try to bring that same sensitivity into my music. If someone feels something familiar or recognizes a part of themselves in it, that’s enough for me.
DA: Your latest single, “Into You,” feels both intimate and confident. Where did the creative idea begin?
MK: The song lives in that tension between desire and resistance, when attraction feels overwhelming and a bit out of control. I wanted it to feel physical, graphic and instinctive, like giving in to something you already know you want, even if you know it’s not the best decision.
DA: Looking ahead, are there any artists you dream of collaborating with?
MK: Omar Apollo would be a dream collaboration. I love him and the way he uses his voice. Justin Bieber would be unreal too, but dreaming is key. I’d also love to work with SZA. She’s one of the very best in R&B.
DA: You’ve hinted that a new EP is on the way. What might surprise listeners who think they already know MANÚ?
MK: The project is coming, it’s happening. I think it will feel deeper than what I’ve released so far. I’ve always found it easier to write from pain and discomfort, but I haven’t shared much of that side of myself yet. Vocally, there will also be more falsetto, harmonies and R&B influence.
DA: Your recent performances in California stood out. During your latest show there, what challenged you most on stage?
MK: Honestly, I was a bit scared. It was very out of my comfort zone, with lots of adrenaline. You never know how the public will respond, especially as an independent artist. Pushing yourself to do something different when you come from modeling is a big step. The transition isn’t always smooth, but I’m grateful for the love and reassurance from the audience. That really fuels my path.
DA: How does creating and performing in California compare to your experiences in Australia?
MK: In Australia, it can feel harder and less open to new artists. There could be more opportunities and encouragement for emerging musicians. California feels fresh and supportive. The environment is more open and diverse. It’s just a different energy.
DA: You recently appeared alongside Bryce Eilenberg and Bruno Alcantara on “RuPaul’s Drag Race.” What was the atmosphere like behind the scenes?
MK: The environment was very warm, creative and collaborative. I really appreciated the attention to detail and intention. I was surprised by how welcoming the entire cast was. Everyone knows your name and is approachable. It felt very special and I felt very lucky.
DA: The Pit Crew has a devoted following of its own. How aware were you of that level of attention when you first stepped onto the set?
MK: Every time I get the opportunity to do something new and outside my comfort zone, I feel very appreciative and humble. I recognize there’s always more to learn and room to grow. I love the chance to try something different and fun, with the support of both the cast and the audience. It felt amazing.
DA: How does your approach to fashion shift between music videos, live performances and everyday life?
MK: For visuals, fashion helps tell a story. I like to push boundaries and be a bit more risqué, playing with a crazier, darker version of myself than what I’d wear daily. In everyday life, it’s more relaxed and instinctive. Each version reflects a different side of me.
DA: Having worked extensively with fashion editorials, what do you try to keep consistent across all your fashion work?
MK: Staying true to myself and keeping it fun. What I enjoy most about the fashion industry is the dynamism and the fun in the process. Every scenario is different and you get to be someone new each time. I want the work to feel natural and connected to where I am, while still being challenging and dynamic.
DA: TEAMM8 has played a meaningful role in your fashion journey. What connected you instantly with the brand?
MK: It always feels genuine with them. There’s an emphasis on comfort, health and confidence rather than image alone, which aligns with how I try to live. As I always say, they’re like my family.
DA: Beyond aesthetics, how does TEAMM8 align with your personal values?
MK: It supports balance and self-acceptance. That message is important to me, especially in an industry that can sometimes push things to extremes.
DA: Does fashion come naturally to you, or is it an area where you enjoy challenging yourself creatively?
MK: It’s a mix. Some things come naturally, others are experiments. Both keep it interesting. I love vanguardism. I grew up obsessed with Steven Klein and I still am. I love craziness in fashion and hope to explore more of that style.
DA: When you’re building a look, where do you usually draw inspiration from?
MK: A lot of it comes from Prada and Balenciaga. I love leather and the color black.
DA: Your physique has become a definite part of your visual identity. How do you maintain a healthy perspective around body expectations?
MK: I try to remind myself that my body supports my work, but it doesn’t completely define who I am. I try to be kind to both my mind and my body. Health goes beyond what you can see. There’s a fine line between looking good and becoming obsessed with your figure.
DA: Why is committing to a healthy lifestyle important to you, and what advice would you give someone just starting out?
MK: It helps with consistency and mental clarity. I’d say start small, be patient and find something that feels sustainable and genuinely makes you happy.
DA: With studio sessions, shoots and set days, how do you stay consistent with your workouts?
MK: I usually aim for the gym about four times a week. I keep it flexible and accept that some days it’s practically impossible and that’s completely fine. Sessions last around an hour and fifteen minutes and I try to give my best so I can treat myself afterward. Laughs.
DA: When work slows down, how do you like to disconnect and recharge?
MK: Writing music is when I feel happiest and most grounded. I also love going to the cinema. I really love films.
DA: Across music, fashion and acting, what do you hope people recognize about you at this stage of your journey?
MK: I’m proud of everything I’ve had the opportunity to do and continue to do. I hope the future brings more modeling challenges and, most of all, lots of music.
Photography & Styling Ronald Liem
Skin Grooming Manuel Kornisiuk/ Pretty Men Management
Text Diar Matahari