Within a Parisian neo-Renaissance landmark, Berluti draws inspiration from garden blooms, cultural heritage and masterful patinas, crafting a Spring/Summer 2027 collection where artistry and savoir-faire unfold in quiet harmony
Ready or not, we are living through an unprecedented era of fashion. Trends swing from one extreme to the next, season after season. Berluti does not play by those rules. It remains timeless, anchored in what it has always been: a meeting point between creative expression and exceptional craftsmanship.
Presented as an intimate showcase rather than a runway spectacle, Berluti once again demonstrates that it does not require excess for its design language to resonate. Particularly when the setting is the Simone & Cino Del Duca Foundation, a French institution dedicated to the arts, letters and sciences, housed within the neo-Renaissance Hôtel Pereire in Paris’s 8th arrondissement.
Here, the setting is more than a backdrop. The Foundation’s five-decade legacy of cultural dialogue reflects Berluti’s own values: a commitment to craft and a profound connection with the arts. Its neo-Renaissance architecture, arranged around a secluded garden, provided the ideal frame for a collection inspired by that very landscape.
Across 20 looks, there is more than meets the eye. A closer look at the leather jackets, shoes and accessories reveals the house’s savoir-faire at every turn. Many pieces are enriched with Berluti’s signature patina, painstakingly built up layer by layer.
A subtle departure from Berluti’s familiar vocabulary comes in the form of floral embroidery, drawn from the Foundation’s garden and interpreted with characteristic restraint. The finale offers a glimpse of a forthcoming creative dialogue with “The Little Prince”, set to be unveiled later this year. What that conversation will become remains under wraps. For now, the impression is unmistakable: diverse, surprising and yet undeniably Berluti.
